2022 Exhibitions and Events

Historical Society of Woodstock

About the Historical Society

Eames House - 20 Comeau Drive, PO Box 841

Woodstock, NY 12498

845 679-2256

The Historical Society of Woodstock was founded in 1929 by a group of artists, writers, academics, and local citizens. In addition to the exhibition space, which is located at the historic Eames House on Comeau Drive in the center of Woodstock, the Historical Society has an extensive archive consisting of paintings, prints, drawings, sculpture, textiles, photographs, books, manuscripts, correspondence, documents, film/sound recordings, and antique tools. The archive serves as a resource for a wide range of exhibitions, public programming, and research.

Tool Shed Renovation

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Click to donate

HSW - Membership


Contact:

HSWoodstock@gmail.com


Historical Society Collections

The summer exhibition,

Bolt—The Art and Times of Clarence Bolton

opens on July 2 and runs through August 28.

Clarence Bolton, Politics, c. 1939, Lithograph (HSW Archives)

The Historical Society of Woodstock's 2022 Season:

April 9 & 10 - HSW's Annual Community Estate Sale - 9:00 am - 3:00 pm

April 30 - June 12 - Woodstock Weavers Guild: Exhibits, Demonstrations and Sale

July 2 - August 28 - "Bolt" - The Art and Times of Clarence Bolton

September 10 - October 16 - "Making Woodstock Home," Artist William H. Arlt

December 3, 4, 10, & 11 - HSW's Annual Holiday Fair

Also Coming This Season: New Woodstock Tool Shed and Exhibit and a Permanent Exhibit on Woodstock History

Woodstock Weavers

50th Anniversary Exhibit, Demonstrations, Sale

1972-2022

Featuring

Handwoven pieces by current members

Weaving, spinning, & dyeing demonstrations


At the

Historical Society of Woodstock

20 Comeau Drive


Saturdays & Sundays

April 30 - June 12, 2022

1:00 pm - 5:00 pm


Opening Reception

April 30, 2022 2:00 pm

Schedule details

woodstockweavers.org


Shown:

Maverick Ensemble

Judith Chase

4-Shaft Summer & Winter weave

Cotton/Cotton Chenille

1960’s

Historical Society of Woodstock Receives Conservation Grant

The Historical Society of Woodstock has received a 2021 NYSCA/Greater Hudson Heritage Foundation Conservation award of $5,500 for the conservation of the paintings Hervey White in His Studio (c. 1926) by Arnold Blanch (1896-1968), and Landscape (c. 1910) by Edmund R. Rolfe (1877-1917). Conservation will be undertaken by Nadia Ghannam Fine Art Conservation.

The portrait of Hervey White by Arnold Blanch is one of the major representations of the writer and founder in the early 20th twentieth century of the Byrdcliffe and Maverick art colonies, located in the Woodstock/West Hurley area. White is pictured seated on a couch in his still-existing cottage on Maverick Road, which he named Bearcamp for the Bearcamp River in Chicaurua, New Hampshire. Upon founding the Maverick in 1905, White took on the life of a part time farmer while writing novels and entertaining. He offered houses to kindred spirits, who paid modest rents when they were able to. He built the simple rustic cottages with his own limited funds, and at times with his own hands.

Woodstock was one of the great centers of landscape painting in America in the early 20th century, and the work by Edmund R. Rolfe is an exemplary painting of this period. The artist came to Woodstock in the early years of the twentieth century to study in Birge Harrison’s painting class at the Art Students League’s Woodstock School of Landscape Painting. Under the influence of Harrison and John F. Carlson, a major school of landscape painting developed in the town initially inspired by the aesthetics of Tonalism.

More than forty grant applications were received by the Greater Hudson Heritage Network including institutions from 25 counties in New York State. Requests were made for the treatment of 70 objects of which 25 organizational awards totaling $138,157 were recommended by a peer panel of conservators, curators, and museum professionals. Conservation treatment awards range from $1,920 to the maximum amount of $7,500.

The NYSCA/GHNN Conservation Grant Treatment Program is made possible with public funds from the New York State Council on the Arts, with the support of the Officer of the Governor and the New York State Legislature. The Robert David Lion Gardiner Foundation has provided additional dedicated support for conservation treatment projects on Long Island.

BLANCH PAINTING GOING FOR CONSERVATION:

Arnold Blanch (1896-1968)

Hervey White in His Studio, c. 1926

Oil on canvas, 22” x 26”

Historical Society of Woodstock